Showing posts with label flamework bead. Show all posts
Showing posts with label flamework bead. Show all posts
Wednesday, June 13, 2018
Caution, Beads May Contain... Wanderings of a Torch Addled Mind
For the time being, I am making beads in a garage- with the door open. This, of course, means that there is wind, so things blow in. There's also the possibility of bugs flying around (and they do!), as well as chipmunks wandering through. A couple of days ago, I pulled a mandrel out of the mandrel holder and managed to sling dirt across the table- right into some enamel. Not wanting to toss it, I scraped out most of the dirt and used the remaining enamel up on a couple of leaves (leaves are my give-away lagniappe beads for online orders).
Then, yesterday, I noticed that it is cottonwood season. I can't imagine that one or two of those babies didn't find their way into a couple of beads. I mean, they were flying all around!
So, my archaeological friends, does this mean those beads can now be traced right back to where I am now, just like in the high tech crime shows, or is it likely that it was all burned out? Do I need to put a note up in my etsy shop? Here's what it might say:
CAUTION: Beads may contain dirt, cottonwood, hair or other unknown objects
Wednesday, March 1, 2017
Reflections: the Diary of Glass Beadmaker

For the last few months, I have been hard at work writing and putting together a book. It's called 'Reflections: the Diary of a Glass Beadmaker' and is available on etsy here.
I've added a subtitle: 'tutorials, tips and information for beginning and intermediate lampwork glass beadmakers' because it is really full of short (but complete) tutorials and loads of other stuff. There are nine tutorials included, from making a basic disk or hollow bead to encased silver fish and raked and twirled beads. There are also tips on making matched pairs, basic sculptural bead instruction and how to repair damaged beads among many other things. Kind of a view inside the beadmaking portion of my brain!
What a surprise, and what a surprisingly large amount of work was involved! My original idea was to take a bunch of blog posts about making beads that I'd written over the years and put them all in one place. I think of it as kind of a 7 year diary of ideas about glass beadmaking. But that's not exactly what happened....
First, I saw that I would need to re-make a lot of beads so that there would be much better photos. And then I realized that there was a lot of other information floating around in my head, notebooks and computer that folks might find useful. So the book kept growing. It ended up clocking in at about 78 pages. And I learned plenty about using 'Word' while I was at it.

Next, I sent it out to a few friends to look through and see what they thought. And to see if I made any terrible errors! Here a couple of quick assessments from them:
" I enjoyed reading it, thought it had quite a few good tips, with your personality and wit apparent."
"Got your book downloaded and speed-read through it. The following is my impression: 1) It is a very nice compilation of useful details and information; 2) You covered a lot of basics, like cleaning the rods, frit making, shards blowing, etc., etc. It would be a great text book for persons "starting" on the hobby."
" For anyone just starting out it is a wealth of information. A good resource for where to find answers to questions they might have. While at the same time it is a wonderful reference for anyone who has been torching for a while and needs a refresher for something they haven't done in a long time. I also like that you put in info for folks who have been just hobbyists and want to get a little deeper into the craft for teaching and doing shows."

" Your book certainly covers a wide range of the topics that all bead instructors should address."
"This book is AMAZING - you make me want to get back into beadmaking!!"
So, here's an outtake from the introduction explaining a little about the book.
Because much of this information comes from my blog, it
is available publicly. Blog publication dates are included here for general
interest, but things have been reorganized in a more sensible order. There are
many updates, lots of new photos and information; things like how to make masked
patterns and twirly bits on the side of a bead. Also included is a short
treatise on inspiration called ‘Keep Your Mojo Workin’ as well as notes for
giving demonstrations and classes for those ready to move out of their studios
and into the public arena.

It all begins
with a few basics, which you may already know- an intro to lampwork, a glossary
and primer to help you find the things you need to start your own beadmaking
journey. Tips on making a first bead, good for both students and teachers, cleaning
your glass, making shards and frit are included in the ‘basics’. Then there are
some more difficult techniques, such as rescuing beads that have broken bits
and using rubino oro.


Sunday, July 17, 2016
Wild Horses
It came to me the other day that I had only ever made a few horse beads and they always seemed to be in different styles. So it was time to try again. Thing is, I can't seem to decide how I'd actually like them to look.So I made a sampling.
From left to right they are:
* The Swedish style Dala horse
* 'Rocking' horse without a rocker
* A more realistic horse, with a bit of aqua blue
* 'Southwestern' style horse

I think I like the Dala horse and realistic horse the best of the bunch.Tried another in the realistic style and transparent amber glass. There is still work to be done to make these be 'just right'!
From left to right they are:
* The Swedish style Dala horse
* 'Rocking' horse without a rocker
* A more realistic horse, with a bit of aqua blue
* 'Southwestern' style horse

I think I like the Dala horse and realistic horse the best of the bunch.Tried another in the realistic style and transparent amber glass. There is still work to be done to make these be 'just right'!
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