'Hot Glass for Cool Kids' Tutorial Ebook for Beads of Courage

Have you heard? The Soda Lime Times has just finished publication of a new ebook filled with fun lampwork glass bead tutorials called Hot Glass for Cool Kids. The tutorials were all written with the kids from Beads of Courage in mind, and ALL money from purchases of the book go directly to Beads of Courage. By virtue of my last name, the tutorial I donated is the very first one in the book (thanks Dad!). I also had the honor of being able to name the book- a bunch of possible titles were submitted, and the one I came up with got the most votes- a fluke to be sure, but Diane Woodall generously sent me a bunch of wonderful prizes for being the winner.

The bead at the left is the one I donated a tut for- encased silver with a special technique for some cool organic designs that can be used in a lot of different ways. The bead at the right uses the same technique over an enameled background.
 
Get your copy right here, right now! There are 20, count 'em 20 wonderful new things for you to try out and make for Beads of Courage, your friends, family or yourself! Here's a photo of the cover showing all of the tutorial beads- pretty cool!

A Lampwork Beadmaking Primer; Getting Started With Hot Glass

From time to time I've had folks ask how they can get started in lampworking, and I've decided it would be smart to just put it all in one place so others can get started on their glass beadmaking obsession. And we're off!

The very most important thing in learning to make glass beads is practice time. A good class at your local Art Center, Glass Shop, or from a beadmaker in your area is a great place to get the ball rolling.
You can join the International Society of Glass Beadmakers to learn about what's happening in your area, get their new magazine Glass Bead Evolution, join in the forum, and meet up with other beadmakers at The Gathering. The instructor listing might just be the perfect place to find that class.
Another excellent place to connect with people on every level in the glass beadmaking community is Lampwork, Etc. It  is chock full of lampworking info-free tutorials, tools for sale, galleries- LE has it all, and so much more! You'll get every opinion possible there.
A nice, inexpensive monthly magazine with some interesting tutorials and information on lots of different levels is The Soda Lime Times. It is now out of print, but back issues are available on her website and in her etsy shop.

You should definitely get a book or two. You can get many of these books through an inter-library loan if you want to take a look before you buy.
Making Glass Beads by Cyndi Jenkins is the book I learned from, and is still a great value for a beadmaking book. If you get a kit, it will likely come with 'you can make glass beads' by the same author- see if you can switch it out, or just take it off as it is just a pamphlet and the book has much more info for about the same price. 
Passing the Flame by Corinna Tettinger is well liked, but a bit pricey. It is nice because it has lots of step-by-step photos. Good thing to look for used.

The Complete Book of Glass Beadmaking by Kimberly Adams is also a good book for learning the basics. 

Beads of Glass by Cindy Jenkins has bead maker bios and step by step instructions to some specific bead styles with some different & interesting techniques.

As far as tools and materials and starter kits- there are a lot of choices. Here are a few I've tried out:
Frantz Art Glass in Washington has a great selection of Moretti glass. They are very helpful and price competitive.
Artistry in Glass in Canada has a wonderful selection of a lot of different brands ( the best overall selection, I think) and decent prices. Check with them for shipping details.
Arrow Springs has a great selection of tools.
Howaco Glass in Michigan is a nice place to get glass because you can order just one rod of something and test it out. Also price competitive.
There are so many suppliers you can use- some of the others that I have not tried are Mountain Glass and  Moretti & More.
Getting proper eye wear is extremely important. All of the vendors I have spoken to over the years have been very helpful, and should be happy to help you make sure you are getting what you need. Most places sell glasses with didydium or Ace lenses, but something else may be recommended if you are using a minor burner or larger torch.

In my opinion, when you are just learning, you don't have to have a kiln immediately. When you have practiced for a while and are thinking about selling, it becomes more important. There are other cooling methods you can use in the beginning like a fiber blanket, vermiculite in a warm crock pot, or annealing bubbles. You need to learn to 'flame anneal' your beads if you are going to go without a kiln, which is just slowly backing them out of the flame until the glow is gone; something you should do anyway (but a kiln makes it less important). The beads can be 'batch annealed' in a kiln later if there is a shop that you can take them to for that.

If the beads are just learning beads and just for you, you can take a bit more of a chance with them. When your beads get larger, or if you want to add things like dichro or silver, you will lose a fairly large percentage of them to breakage without a kiln. The 'inclusions' are the thing that cause the most trouble as they cause the bead to cool differently. My theory is that they insulate the interior while the exterior cools more quickly. I know some people would disagree with me about the whole kiln issue. Now that I have a kiln, I don't know how I lived without it- but I did for quite a while. I dislike batch annealing because I think it can cause problems if done incorrectly, so I pop everything into the kiln as I go now.

Here is a list of the things I think every new lampworker needs to get started on this wonderful journey- kind of a make-your-own kit.
1)  A torch (I'm not gonna tell you what kind- you'll have to research that yourself) and everything that goes with it to get it set up, including a table to attach it to and a way to attach it to your table.
2)  Proper eyewear- see above.
3)  Mandrels- I recommend medium size- 3/32 inch- to start with.
4)  Bead release (sludge)- you can read some of my opinions about that here
5)   A way to cool your beads- kiln, vermiculite or annealing bubbles- see above.
6)  Glass- make sure you have learned about coe and that everything you get is compatible and will work with the torch you've selected.
7)  A good book about glass beadmaking- see above.
8)  Some tools! I recommend a hand held marver, tweezers, scissors (shears), a rake or pick of some kind, a striker to light your torch.
9)  A bead reamer- you can use a manual diamond reamer or an electric reaming tool.
10)  Other good stuff you might just want- a marver that attaches to your torch, a rod rest, a flat or barbeque masher, and any other tools or supplies that just look like too much fun!

So what are you waiting for????

 

Inspiration, Big Hole Beads

Isn't it nice when something inspiring just pops into your inbox! The November issue of the Soda Lime Times just came out yesterday and it was all about big hole beads. How to make 'em, how to core 'em and all the eye candy a girl could wish for! The big hole bead category covers anything from a bead with 5 or 6mm hole that will fit on a European style charm bracelet to sliders and dread beads with 1/4 or 1/2 inch holes- or more! I've been making mandala or kaleidoscope beads for years- but never very many at a time, because they take me so darn long and I end up feeling just a wee bit incompetent. But with a few words of encouragement from the folks at Soda Lime (and did I mention a lot of eye candy???), I thought it was time to give it all a bit of a go. Fun stuff, even though these babies took me about 40 minutes each- and these are actually a bit on the small side.

One of the interesting thing about BHBs is that they are often used so that the flatter side faces out. When I make these, I am constantly looking down the mandrel to see if they are fairly round, and how the design is coming together. But round is not the only shape a BHB can be- far from it! One of my own Icarus Wing Beads was featured in the gallery. This is a fairly new style for me with a bit of a wing shape on one side and lots of twirls and curls on the other.

Big Hole Beads do present the small problem of getting that large hole to look good on the inside. Sludging the mandrel the night before and letting it air dry will help ensure a good bond between glass and mandrel. Use the sludged mandrel within a day or two to prevent rust from forming on the mandrel- rust stains are quite hard to remove from inside the bead. At The Gathering, I was instructed to sand the inside of these beads with wet/dry sandpaper in ever increasing grits to make them nice and smooth. For more tips and a fun tut, I'd advise you to get your own copy of the November 2012 Soda Lime Times-it's great fun, and a tremendous value too!

Lampwork Glass Seahorse Bead Tutorial is Finally Here!

Whew- it's been a hectic few weeks. Lots of things happening, mostly in my mind, I think!
 I was interviewed for the Soda Lime Times this month. The article just came out a couple of days ago- they did a wonderful job! It's chock full of fun information about lampwork beads, beadmakers and tools with several nice tutorials. The April issue is all about beads and the ocean, and there's a lot of eye candy, including some of my fish, mermaids, a turtle and some seahorses.

So what better time to start work on a Seahorse Tutorial? I admit I had really big plans when I started this- why not seahorses and mermaids? I started out with seahorses and realized that I'd better just take it one step at a time. Good thing too, as I barely got it done in time. OK, so I finished it a couple of days after the article, but it was close!

So what, exactly is in this tut? You are taken- with a ton of pictures- through the making of two different seahorses with two different designs in two different orders. Why? Well, I find myself naturally gravitating towards doing it in a particular order, but I don't necessarily think it's the most logical way to do things. So I do it 'my' way the first time, and the 'right' way the second time. Oh, I almost forgot- I made a wee video that shows me doing all the 'hard' parts. And only folks who get the tut have access to the video. It's not a great movie, but I do think it helps.

What's the big deal? To me, there are three things about this tutorial that make it worthwhile.
One- the tail- the way I make the tails was a revelation to me in a lot of ways- how to make the stock as well as how to curl them up.
Two- shaping the mouth- just a little tricky for such a wee part of the creature, but little details can make a big difference.
Three- basic sculptural information- for those who aren't very familiar with sculptural beads, I really tried to explain how and why I do things the way I do them.

One other thing- I had a wonderful tester for this tutorial. Lynne of Islandgirl's Insights did an excellent job of reading, testing, and making suggestions to make this tutorial better. This is the second time she has done this for me- I can't imagine anyone doing a better job. Lynne Rocks!!!!!