Wednesday, March 1, 2017

Reflections: the Diary of Glass Beadmaker



   
For the last few months, I have been hard at work writing and putting together a book. It's called 'Reflections: the Diary of a Glass Beadmaker' and is available on etsy here. 
I've added a subtitle: 'tutorials, tips and information for beginning and intermediate lampwork glass beadmakers' because it is really full of short (but complete) tutorials and loads of other stuff. There are nine tutorials included, from making a basic disk or hollow bead to encased silver fish and raked and twirled beads. There are also tips on making matched pairs, basic sculptural bead instruction and how to repair damaged beads among many other things. Kind of a view inside the beadmaking portion of my brain!

      What a surprise, and what a surprisingly large amount of work was involved! My original idea was to take a bunch of blog posts about making beads that I'd written over the years and put them all in one place. I think of it as kind of a 7 year diary of ideas about glass beadmaking. But that's not exactly what happened....

     First, I saw that I would need to re-make a lot of beads so that there would be much better photos. And then I realized that there was a lot of other information floating around in my head, notebooks and computer that folks might find useful. So the book kept growing. It ended up clocking in at about 78 pages. And I learned plenty about using 'Word' while I was at it.

Next, I sent it out to a few friends to look through and see what they thought. And to see if I made any terrible errors! Here a couple of quick assessments from them:

" I enjoyed reading it, thought it had quite a few good tips, with your personality and wit apparent."

"Got your book downloaded and speed-read through it. The following is my impression: 1) It is a very nice compilation of useful details and information; 2) You covered a lot of basics, like cleaning the rods, frit making, shards blowing, etc., etc. It would be a great text book for persons "starting" on the hobby."

" For anyone just starting out it is a wealth of information. A good resource for where to find answers to questions they might have. While at the same time it is a wonderful reference for anyone who has been torching for a while and needs a refresher for something they haven't done in a long time. I also like that you put in info for folks who have been just hobbyists and want to get a little deeper into the craft for teaching and doing shows."

"The last part of the book (almost 15 pages) is about managing schedules, set up for bead shows as well as some of your thoughts on designing of a bead, which is more than any beginner would be able to appreciate or be interested in."
 
" Your book certainly covers a wide range of the topics that all bead instructors should address."
  
"This book is AMAZING - you make me want to get back into beadmaking!!"
 
So, here's an outtake from the introduction explaining a little about the book.


      Because much of this information comes from my blog, it is available publicly. Blog publication dates are included here for general interest, but things have been reorganized in a more sensible order. There are many updates, lots of new photos and information; things like how to make masked patterns and twirly bits on the side of a bead. Also included is a short treatise on inspiration called ‘Keep Your Mojo Workin’ as well as notes for giving demonstrations and classes for those ready to move out of their studios and into the public arena.

      This is not a beginner’s instruction book for making beads, but rather a book for advanced beginners and mid-range lampworkers. It includes ‘beyond basics’ ideas and mini tuts to teach technique rather than how to make a specific bead. There is no list of colors used; you will choose those yourself. This is meant as, hopefully, helpful information to help bring your beads to a new level. Have trouble with sculptural beads? There are general tips as well as instructions and photo tutorials to make butterflies, fish, leaves and hollow beads.

      It all begins with a few basics, which you may already know- an intro to lampwork, a glossary and primer to help you find the things you need to start your own beadmaking journey. Tips on making a first bead,  good for both students and teachers, cleaning your glass, making shards and frit are included in the ‘basics’. Then there are some more difficult techniques, such as rescuing beads that have broken bits and using rubino oro.

      In the ‘Rambling Thought on Beads, Art and Business’ section near the end, there is general information about things as varied as bead wear-ability, the theory behind deliberate mistakes and button technology. In the standard blog style, there are outside links for further reading on many of these subjects. Most of these missives are simply things I think I’ve learned during the many years of my beadmaking journey. A little window into my thought patterns will be opened to you.







Monday, January 2, 2017

Finding New Color Combinations for your Artistry; Keep Your Mojo Workin'

The original photo
  A couple of years ago, I began thinking about making a presentation called 'Keep Your Mojo Workin' about some of the many ways I find inspiration when things just don't seem to be clicking. I ended up with pages and pages of notes and more ideas than seem able to fit in my wee pea brain, but here is one that I find extremely cool.
Hue at +40


Hue at +62
Hue at -97
  Find something you've made (in this case a bead, of course) or even a photo whose color combos you really like. Put that photo into a photo editing program such as photoshop and modify it. In photoshop, go to 'adjust color' in the 'enhance' drop down menu, then go to 'adjust hue/saturation' in that drop down menu. Then go to town moving the 'hue' bar up and down. From subtle color differences to radical changes, I guarantee you'll find some color combos you never would have thought of! Now to match the colors with glass rods....


Hue at +180
Hue at -47





Thursday, October 13, 2016

Wet Felted Scarves- Butterfly Style!

The BFL scarf, with a bit of black added
Oh, don't you love it when things converge!? I went to the Black Sheep Handspinners Guild meeting in September with fiber to give away. And the kind person who took it off my hands gave me a bit of BFL (Blue Faced Leicester, for the uninitiated) that was dyed orange, yellow and brown. Now these are colors I just don't work with~ but it was a lovely bit of fiber, so hmmm...  I just happened to have a book out of the library called Patterns in Nature (Publishers Weekly's 'most beautiful book of 2016')~ an excellent book which not only shows amazing patterns, but tells the science behind what makes those patterns occur. For instance the patterns on feathers happen before they split into barbs- who knew?

Three butterfly scarves here!





As I was leafing through the book I came across a closeup photo of a butterfly wing and~ guess what? The colors were the same as the lovely fiber I'd just gotten my greedy hands on. And so an idea was born! The colors, the patterns, the shapes~ it's all good. These days, just about all of my scarves are based on butterfly patterning. There are so many amazing patterns to study and imitate.

Now, of course I am wondering about starting a fish scarf series!


Sunday, July 17, 2016

Wild Horses

It came to me the other day that I had only ever made a few horse beads and they always seemed to be in different styles. So it was time to try again. Thing is, I can't seem to decide how I'd actually like them to look.So I made a sampling.
From left to right they are:
* The Swedish style Dala horse
* 'Rocking' horse without a rocker
* A more realistic horse, with a bit of aqua blue
* 'Southwestern' style horse






I think I like the Dala horse and realistic horse the best of the bunch.Tried another in the realistic style and transparent amber glass. There is still work to be done to make these be 'just right'!