My wee gal is all grown up and has begun a blog of her own filled with thoughts on life, creativity and the world around us as seen by Tashi. Baring her soul to the world as she sets off on a new kind of creative journey with short and thoughtful observations, she'd love for folks to give it a read and make comments. So far they are short blips of thought, but who knows where they may lead???
Here is 'The Red Queen's Garden' blog with the subtitle: Show me a man whose eyes see in the dark, and I'll show you a blind man who fears it.
Written by the lovely little one (now all grown up) in the photograph.
Sunday, March 26, 2017
Sunday, March 19, 2017
Testing 1,2... Support Spindle Bowls, Diz or Worry Stone Beads????
Well, I had an idea. But I don't know if it was a good idea, or one of those ones I should have ignored. Ha, too late, I already got involved. But I have questions and plenty of them! All of these are also beads, so they can be worn or hung when not in use.
Are either of these styles good for a support spindle bowl? I showed them to some spinning friends and they seemed to like the smaller, deeper indentation that's in the wee fishie~ it's about 3/8 in. in diameter; the tip of my pinkie fits it perfectly. That's a little easier for me to do, so that would be a good thing. The larger indentations tend to have concentric circle impressions inside them- chill marks from the cool tool touching the warm glass. Does that make them a 'no' for support spindles? I have seen a couple of folks making similar pieces; I wonder what they're using to indent the glass!
Also, they all need to be on a no skid surface. And they are on the small side- about 1 1/2 x 1 1/2 inches. The spindles spin on the fish particularly nicely, but when you actually attempt to use them as support spindle bowls, will they stay in place or not? Boy do I need a tester!
Does it make sense to add a wee diz to them, or is the diz bit too smooth to work? The diz holes are about 1/4 inch- is that a sensible size?
If nothing else, they are great to use as worry stones!
Are either of these styles good for a support spindle bowl? I showed them to some spinning friends and they seemed to like the smaller, deeper indentation that's in the wee fishie~ it's about 3/8 in. in diameter; the tip of my pinkie fits it perfectly. That's a little easier for me to do, so that would be a good thing. The larger indentations tend to have concentric circle impressions inside them- chill marks from the cool tool touching the warm glass. Does that make them a 'no' for support spindles? I have seen a couple of folks making similar pieces; I wonder what they're using to indent the glass!
Also, they all need to be on a no skid surface. And they are on the small side- about 1 1/2 x 1 1/2 inches. The spindles spin on the fish particularly nicely, but when you actually attempt to use them as support spindle bowls, will they stay in place or not? Boy do I need a tester!
Does it make sense to add a wee diz to them, or is the diz bit too smooth to work? The diz holes are about 1/4 inch- is that a sensible size?
If nothing else, they are great to use as worry stones!
Wednesday, March 1, 2017
Reflections: the Diary of Glass Beadmaker
For the last few months, I have been hard at work writing and putting together a book. It's called 'Reflections: the Diary of a Glass Beadmaker' and is available on etsy here.
I've added a subtitle: 'tutorials, tips and information for beginning and intermediate lampwork glass beadmakers' because it is really full of short (but complete) tutorials and loads of other stuff. There are nine tutorials included, from making a basic disk or hollow bead to encased silver fish and raked and twirled beads. There are also tips on making matched pairs, basic sculptural bead instruction and how to repair damaged beads among many other things. Kind of a view inside the beadmaking portion of my brain!
What a surprise, and what a surprisingly large amount of work was involved! My original idea was to take a bunch of blog posts about making beads that I'd written over the years and put them all in one place. I think of it as kind of a 7 year diary of ideas about glass beadmaking. But that's not exactly what happened....
First, I saw that I would need to re-make a lot of beads so that there would be much better photos. And then I realized that there was a lot of other information floating around in my head, notebooks and computer that folks might find useful. So the book kept growing. It ended up clocking in at about 78 pages. And I learned plenty about using 'Word' while I was at it.
Next, I sent it out to a few friends to look through and see what they thought. And to see if I made any terrible errors! Here a couple of quick assessments from them:
" I enjoyed reading it, thought it had quite a few good tips, with your personality and wit apparent."
"Got your book downloaded and speed-read through it. The following is my impression: 1) It is a very nice compilation of useful details and information; 2) You covered a lot of basics, like cleaning the rods, frit making, shards blowing, etc., etc. It would be a great text book for persons "starting" on the hobby."
" For anyone just starting out it is a wealth of information. A good resource for where to find answers to questions they might have. While at the same time it is a wonderful reference for anyone who has been torching for a while and needs a refresher for something they haven't done in a long time. I also like that you put in info for folks who have been just hobbyists and want to get a little deeper into the craft for teaching and doing shows."
"The last part of the book (almost 15 pages) is about managing schedules, set up for bead shows as well as some of your thoughts on designing of a bead, which is more than any beginner would be able to appreciate or be interested in."
" Your book certainly covers a wide range of the topics that all bead instructors should address."
"This book is AMAZING - you make me want to get back into beadmaking!!"
So, here's an outtake from the introduction explaining a little about the book.
Because much of this information comes from my blog, it
is available publicly. Blog publication dates are included here for general
interest, but things have been reorganized in a more sensible order. There are
many updates, lots of new photos and information; things like how to make masked
patterns and twirly bits on the side of a bead. Also included is a short
treatise on inspiration called ‘Keep Your Mojo Workin’ as well as notes for
giving demonstrations and classes for those ready to move out of their studios
and into the public arena.
This is not a
beginner’s instruction book for making beads, but rather a book for advanced
beginners and mid-range lampworkers. It includes ‘beyond basics’ ideas and mini
tuts to teach technique rather than how to make a specific bead. There is no
list of colors used; you will choose those yourself. This is meant as, hopefully,
helpful information to help bring your beads to a new level. Have trouble with
sculptural beads? There are general tips as well as instructions and photo
tutorials to make butterflies, fish, leaves and hollow beads.
It all begins
with a few basics, which you may already know- an intro to lampwork, a glossary
and primer to help you find the things you need to start your own beadmaking
journey. Tips on making a first bead, good for both students and teachers, cleaning
your glass, making shards and frit are included in the ‘basics’. Then there are
some more difficult techniques, such as rescuing beads that have broken bits
and using rubino oro.
In the
‘Rambling Thought on Beads, Art and Business’ section near the end, there is
general information about things as varied as bead wear-ability, the theory
behind deliberate mistakes and button technology. In the standard blog style,
there are outside links for further reading on many of these subjects. Most of
these missives are simply things I think I’ve learned during the many years of
my beadmaking journey. A little window into my thought patterns will be opened
to you.
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