Torch Time Again!

 Good golly, I have not been blogging much! Just popping in now to say my torch is back up and running after being on hiatus for a couple of months. I've started out with some fancy silver-cored fish pendants and glass whorls for spinning yarn.
New curved beads are on the to-do right now list! We'll see how that goes~ they are always a bit of a challenge.

Lampwork Glass Beads~ 'Frit Stacking' Ideas

 So... I'm sure many, if not all of y'all bead makers, have some frit mixes lying around. Back when I first started to make beads, I didn't use frit. And it was in the old 'dinosaur' days before Val Cox and her 'Frit Secrets' book came out, so frit mixes were not yet a big part of the glass bead world. Nowadays, a  nice mix of frit can decide the colors of a bead, making that part of the process easy. They are a useful crutch, especially for days when one is feeling a wee bit less than inspired. Just grab a mix and enjoy making the bead! Val's book has a lot of different ideas for how to use frit in a bead; it is a great resource. 

I often feel like I am kind of cheating when I use a prepared frit mix in a bead and it takes a little bit of the creativity away, so I try not to lean on them too heavily. That said, I seem to be in a bit of a frit loving stage. I mean Gaffer's or Reichenbach's royal purple or purple rose frit is simply irresistible! 

While thinking about some of the things that happen when a couple of different frits are mixed, or just a touch more of something is added to a mix, I realized that maybe the frit colors could basically be stacked instead of using them all at once in a mix. Say, for instance, you are inspired by the colors in a violet. Instead of using green and purple together, why not put on some green and then add some purples randomly on top of it. Would this not give more of a violet feet to the whole bead? (Without all the trouble of having to actually put wee violets all over it). How about rolling the bead in a larger size purple frit and then a smaller one~you can see in this example that little bits of purple are on larger dots of purple. Those larger bits of purple must have been sticking out when the smaller purple frit was added, making it look like glass dots were placed on the larger purple bits. Another fun idea!

Today was a 'frit stacking' experiment day. I was pretty happy with the results. As a bonus, interesting reactions sometimes occur between the frits. Here are a couple of the beads and how they happened.

This pink bead started with a base of clear, then CIM rose quartz with triton frit at one end and then another layer of clear all around. The triton was reduced to bring out some shine and then encased for a little extra background play, though that was rather lost in the shuffle after everything else was added. Some Reichenbach iris amber green, opal raspberry and copper ruby were added over the clear layer. These three frits were all about the same size. You can see that some rather interesting things ended up happening on this bead.

Another bead was a play of organic colors and purples. I didn't write down the colors on this bead, but I believe I started with a background of amber green iris (which changes colors a bit as you go), then some large Reichenbach purple rose frit, and then small Gaffer purple rose, which I put all the way across the bead. I don't believe I added any actual green frit to this bead; the iris amber green can make its own green in some instances.

Here are closeups of both of these beads to show some of the yummy reactions that happened!

A Short Story About the Birth of a Glass, Felt & Suminagashi Studio

Here's a little something I've never thought to do~ write up a wee bio for public consumption. So here's a bit of information I think folks might find interesting about me and my work.

Work, you say? Well, that's what we call it around here! I began making lampwork glass beads in 1999 when I purchased a bead making kit for my daughter (ha,ha). She rushed off to college in short order, where she was not allowed to have a torch in her dorm room ~ who knows why? So I was left with a torch, a book, a bunch of glass and time on my hands. I made beads. And more beads. And I found that there was a lot I didn't know, so I made yet more beads. And bought more books, and more glass. The internet intruded with its wealth of information, and then I found there was yet more to learn. A vicious cycle to be sure! And so Isinglass Design was born.

At this point, I've learned so much that I've shared a lot of it on this blog. Take a look around for tutorials and general gibberish about lampwork bead making.

You can see some of my old work on flickr and more recent stuff on pinterest, or pop over to my facebook page. You are also allowed to follow me on instagram if that's more up your alley. Of course there's stuff for sale in my etsy shop~

But bead making is not all I do in the world of arts and crafts these days. I started working with wool and making felt in about 2015. I've made scarves and bowls and puppets and purses. Right on this blog I show how some of those things were made. Look here to see how I got interested in the world of fiber.

And then, more fool me, just before we were all sequestered, I went to an introduction to suminagashi workshop at the local library. So now I play with ink and paper when I can think of nothing else to do! Want to try it yourself? Read here for a bit more info.

Surely no one needs to know more about me than this? But truly, if you look around this blog and watch me on instagram, you will definitely know more than you bargained for!

P.S. my name is Laurie~ yeah I did forget that bit...